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D.W. Griffith and Billy Bitzer do not both have enough rated films to compare yet.
Dot size shows audience votes. Films below the source vote floor sit on the baseline.
| 1914 | 6.1 | Director | Cinematographer | |
| Home, Sweet Home | 1914 | · | Writer, Director | Cinematographer |
| 1914 | 5.9 | Writer, Producer, Director | Cinematographer | |
| 1915 | 5.9 | Producer, Director, Composer, Writer, Editor | Cinematographer | |
| 1916 | 7.1 | Director, Editor | Cinematographer | |
| 1918 | · | Writer, Director, Producer | Cinematographer | |
| 1919 | · | Producer, Writer, Director | Cinematographer | |
| 1919 | 7.0 | Producer, Director | Cinematographer | |
| The Mother and the Law | 1919 | · | Producer, Writer, Director | Cinematographer |
| 1919 | 6.9 | Director, Producer, Writer | Cinematographer | |
| Scarlet Days | 1919 | · | Director, Producer | Cinematographer |
| The Greatest Question | 1919 | · | Producer, Director | Cinematographer |
| 1920 | 6.9 | Writer, Producer, Director | Cinematographer | |
| 1921 | 6.8 | Director, Writer, Producer | Cinematographer | |
| The White Rose | 1923 | · | Producer, Director, Writer | Cinematographer |
| America | 1924 | · | Director, Producer | Cinematographer |
| The Battle of the Sexes | 1928 | · | Producer, Director | Cinematographer |